December8th, 2021 by Aston Martin Palm Beach. Released on October 8th, 2021, the 25th James Bond movie, No Time to Die, features four Aston Martin James Bond cars—two from the past, one from the present, and a concept car that’s yet to be released! Essentially, the new James Bond film pays tribute to the Aston Martin legacy’s full spectrum.Register now for FREE unlimited access to ANGELES, Oct 10 - "No Time to Die," the latest installment in the James Bond franchise, debuted to $56 million at the domestic box office, a result that fell somewhat short of expectations and signals that even one of the most storied brands in film history is still being forced to contend with a moviegoing landscape that has been dramatically altered by the into the weekend, "No Time to Die was projected to make $60 million to $70 million in its first three days of release. Though not a disaster, the film's final weekend total was expected to be higher because it received positive reviews and represented Daniel Craig's final outing as the stylish secret light of the ongoing pandemic, assessing initial box office results for "No Time to Die" isn't as clear cut. For some movies, especially during a public health crisis, an opening weekend of $56 million would be cause for great jubilation. But "No Time to Die" is no ordinary film. It carries a massive $250 million production budget, to say nothing of the more than $100 million marketing spend. Add in the tens of millions it cost to delay "No Time to Die," which was supposed to premiere in April of 2020 before the pandemic altered those plans, and box office experts estimate that, conservatively, "No Time to Die" needs to gross at least $800 million at the global box office to make money in its theatrical window. For Bond, the franchise has numerous marketing partners and ancillary tie-ins, with Rolex, Aston Martin and more, that could help cushion potential now for FREE unlimited access to audiences have been turning out for "No Time to Die" at the international box office, where it has already made an impressive $145 million. Directed by Cary Joji Fukunaga "True Detective", the 007 adventure has opened in most major markets except for China set for Oct. 29, which is a popular territory for all things Bond. Globally, the film has collected $313 the domestic box office, the slightly muted results for "No Time to Die" are attributable to several factors, including hesitation among older audiences to return to the movies and its lengthy two-hour-and-45-minute runtime, which limited the number of screenings per day. It's also the first Hollywood tentpole with real competition at the box office. Sony's comic book sequel "Venom Let There Be Carnage" opened last weekend and has continued to pull in crowds, which may have cannibalized ticket sales for member Daniel Craig poses during the world premiere of the new James Bond film "No Time To Die" at the Royal Albert Hall in London, Britain, September 28, 2021. REUTERS/Toby Melville/File PhotoWith "No Time to Die" claiming the No. 1 spot on domestic box office charts, the "Venom" follow-up slid to second place with $32 million, a figure that's more than many pandemic-era releases have made in their entire theatrical run. In total, "Venom Let There Be Carnage" has generated a mighty $141 million in North America and $185 million Bond is a property that tends to skewed toward older audiences, a demographic that doesn't always make an effort to watch a film on its opening weekend, box office analysts have been encouraged by "No Time to Die." According to United Artists Releasing, the company distributing the film in the 25% of ticket buyers returned to theaters for the first time in more than 18 months for Bond. Among opening weekend crowds, 57% were over the age of 35 and 64% were male. It has an "A-" CinemaScore, a positive sign for the movie's long-term prospects."The audience is broad, with all age groups and segments well-represented, including the 35+ crowd, who have been slow to return to the movies," says David A. Gross, who runs the movie consulting firm Franchise Entertainment Research. "If anything kept the film from over-performing this weekend, it is the younger groups, who are less committed to the series."In a distant third place on domestic charts, "The Addams Family 2" generated $10 million, bringing its North American total to $ million. The animated family comedy, from MGM and United Artists Releasing, is being offered simultaneously on premium video-on-demand superhero adventure "Shang-Chi and the Legend of the Ten Rings" landed at No. 4 with $ million in its sixth weekend in theaters. Globally, the Marvel comic book adaptation has surpassed $400 million worldwide, making it the sixth-highest grossing film of the year. With $212 million in North America, it remains the highest earning movie of 2021 at the domestic box office."The Many Saints of Newark," a prequel to "The Sopranos," rounded out the top five with a paltry $ million in its sophomore outing. That puts ticket sales for the Warner Bros. movie, which premiered day-and-date on HBO Max, at a dismal $ million. It cost $50 million to now for FREE unlimited access to Standards The Thomson Reuters Trust Principles.
No Time to Die is a 2021 spy film and the 25th in the James Bond series produced by Eon Productions. It stars Daniel Craig in his fifth outing as the fictional British MI6 agent. Craig has said it will be his final Bond film. It is directed by Cary Joji Fukunaga from a screenplay by Neal Purvis, Robert Wade, Fukunaga, and Phoebe Waller-Bridge. Léa Seydoux, Ben Whishaw, Naomie Harris, Jeffrey Wright, Christoph Waltz, Rory Kinnear, and Ralph Fiennes reprise their roles from previous films, with Rami Malek, Lashana Lynch, Ana de Armas, Dali Benssalah, Billy Magnussen, and David Dencik joining the cast as new characters. Development began in 2016. It will be the first Bond film distributed by Universal Pictures, which acquired the international distribution rights following the expiration of Sony Pictures' contract after the release of Spectre in 2015. Metro-Goldwyn-Mayer subsidiary United Artists Releasing holds the rights for North America, including worldwide digital and television rights. Universal also holds the rights for physical home media worldwide. Danny Boyle was originally attached to direct and co-write the screenplay with John Hodge. Both left due to creative differences in August 2018, and Fukunaga was announced as Boyle's replacement a month later. Most of the cast had signed on by April 2019. Principal photography was from April to October 2019 under the working title Bond 25. The final title was announced in August 2019. No Time to Die had its world premiere at the Royal Albert Hall in London on 28 September 2021, and was theatrically released on 30 September 2021 internationally and 8 October 2021 in the United States, after being delayed by Boyle's departure and later by the COVID-19 pandemic. The film has received critical acclaim, with critics calling it a fitting end for Daniel Craig’s Bond. Plot Cast Daniel Craig as James Bond A former MI6 agent who was known as 007 during his service and has been retired for five years at the start of the film. Director Cary Joji Fukunaga compared Bond to a "wounded animal" and described his state of mind as "struggling to deal with his role as a '00' [agent]. The world's changed. The rules of engagement aren't what they used to be. The rules of espionage are darker in this era of asymmetric warfare". Craig stated that the film is "about relationships and family". Rami Malek as Lyutsifer Safin An adversary of Bond and Swann and a terrorist leader on a revenge mission. Producer Barbara Broccoli described the character as "the one that really gets under Bond's skin. He's a nasty piece of work." Malek described the character as someone who considers "himself as a hero almost in the same way that Bond is a hero". Fukunaga described Safin as "more dangerous than anyone [Bond has] ever encountered" and a "hyper-intelligent and worthy adversary". Léa Seydoux as Dr. Madeleine Swann A psychiatrist and Bond's love interest who assisted him in his mission in the film Spectre. Fukunaga underscored Swann's importance to the film, as her presence allowed him to explore Bond's unresolved trauma stemming from the death of Vesper Lynd in Casino Royale. After seeing the film, Seydoux said, "There's a lot of emotion in this Bond. It's very moving. I bet you're going to cry. When I watched it, I cried, which is weird because I am in it". Lashana Lynch as Nomi A new "00" agent who entered active service some time after Bond's retirement and was assigned the 007 number. Lynch has said that she hopes her character brings a new layer of relatability to the world of espionage "When you're dealing with a franchise that has been slick for so many years, I wanted to throw a human spin on it—to deal with anxiety and be someone who's figuring it out, completely on her toes". Ben Whishaw as Q MI6's Quartermaster who outfits "00" agents with equipment for use in the field. Whishaw considers his version of Q to have ended saying, "I think I'm done now. I've done the three that I was... contracted to do. So I think that might be it for me". Naomie Harris as Eve Moneypenny M's secretary and Bond's ally. Harris says since Spectre, "Moneypenny has grown up somewhat. I think she still has her soft spot for Bond though, that’s never going to go. But she’s an independent woman with her own life". Jeffrey Wright as Felix Leiter Bond's friend and a CIA field officer. Wright was asked what can be expected from Felix in the film, to which he replied, "Well, I think it's known that Felix pulls James back into the game and away we go from there". While Wright was surprised he was not asked to return in Skyfall and Spectre, he felt Felix's return in No Time to Die "gives more weight" due to his prior absence. Wright said that the film establishes the brotherhood of Bond and Felix, which he described as the "core" of their relationship. Christoph Waltz as Ernst Stavro Blofeld Bond's arch-enemy and foster brother. He is the founder and head of the criminal syndicate SPECTRE and is now in MI6 custody. Fukunaga explained why Blofeld returns and teased the character's "new role" in the film by saying, "Blofeld is an iconic character in all the Bond films. He's in prison, but he certainly can't be done yet, right? So what could he be doing from in there and what nefarious, sadistic things does he have planned for James Bond and the rest of the world?". Ralph Fiennes as M The head of MI6 and Bond's superior officer. Ana de Armas as Paloma A CIA agent assisting Bond. De Armas described her character as "irresponsible" and "bubbly" and playing a key role in Bond's mission. Rory Kinnear as Bill Tanner M's chief of staff. Dali Benssalah as Primo A mercenary and an adversary whom Bond first encounters in Matera. David Dencik as Valdo Obruchev A scientist whose disappearance Bond investigates. Billy Magnussen as Logan Ash A CIA agent assigned by Leiter to support Bond in finding Obruchev. Production Development Development of No Time to Die began in early 2016. In March 2017, screenwriters Neal Purvis and Robert Wade—who have worked on every Bond film since The World Is Not Enough 1999—were approached to write the script by producers Barbara Broccoli and Michael G. Wilson. Sam Mendes stated that he would not return after directing Skyfall and Spectre. Christopher Nolan ruled himself out to direct. By July 2017, Yann Demange, David Mackenzie, and Denis Villeneuve were courted to direct the film. In December 2017, Villeneuve decided against the role due to his commitments to Dune. In February 2018, Danny Boyle was established as a frontrunner for the directing position. Boyle's original pitch to Broccoli and Wilson saw John Hodge writing a screenplay based on Boyle's idea with Purvis and Wade's version scrapped. Hodge's draft was greenlit, and Boyle was confirmed to direct with a production start date of December 2018. However, Boyle and Hodge left in August 2018 due to creative differences. During Boyle's time as director, a leaked casting sheet described the male leading role as a "cold and charismatic Russian" and the female leading role as a "witty and skillful survivor". Production also sought male supporting roles of Māori descent with "advanced combat skills". It was reported at the time that Boyle's exit was due to the casting of Tomasz Kot as the lead villain; however, Boyle later confirmed the dispute was over the script. Following Boyle's departure, the release date became contingent on whether the studio could find a replacement within sixty days. Cary Joji Fukunaga was announced as the new director in September 2018. Fukunaga became the first American to direct an Eon Productions Bond film and the first director to receive a writing credit for any version. Fukunaga had been considered for Spectre before Mendes was hired, and afterwards had expressed an interest to Broccoli and Wilson about directing a future Bond film. Linus Sandgren was hired as cinematographer in December 2018. Purvis and Wade were brought back to start working on a new script with Fukunaga in September 2018. Casino Royale and Quantum of Solace screenwriter Paul Haggis turned in an uncredited rewrite in November 2018, with Scott Z. Burns doing the same in February 2019. At Daniel Craig's request, Phoebe Waller-Bridge provided a script polish in April 2019. Waller-Bridge was hired to revise dialogue, work on character development and add humour to the script. Waller-Bridge is the second female screenwriter credited with writing a Bond film after Johanna Harwood co-wrote Dr. No and From Russia with Love. Barbara Broccoli was questioned about the Me Too movement at the Bond 25 launch event, where she stated that Bond's attitude towards women would move with the times and the films should reflect that. In a separate interview, Waller-Bridge argued that Bond was still relevant and that "he needs to be true to this character", instead suggesting that it was the films which had to grow and evolve, emphasising "the important thing is that the film treats the women properly". Some concepts changed during development with Fukunaga. An early unrealised idea he considered was to have seen the film take place "inside Bond's head", while being tortured by Ernst Stavro Blofeld in Spectre, up until the end of act two of a three-act structure. Originally, Safin, the villain, and his henchman would wear masks based on Siberian bear-hunting armour. The henchman character was written out before filming, and Fukunaga requested changes to Safin's costume. A new mask based on Noh, a Japanese style of theatre, was introduced as Fukunaga felt that the original mask was dominating the costume. The film entered production under the working title of Bond 25. The title No Time to Die was announced on 20 August 2019. Broccoli said, "We were struggling to find a title. We wanted a title that wouldn't give away anything but would be understandable, and after you see the movie, have a deeper resonance, because that's often what Fleming titles are all about". Casting After Spectre, there was speculation that it would be Daniel Craig's final Bond film. Immediately after the film's release, Craig had complained about the rigours of performing the part, saying he would rather "slash [his] wrists" than play Bond again. In May 2016, it was reported that Craig had received a $100-million offer from Metro-Goldwyn-Mayer to do two more Bond films, but turned it down. In October 2016, Craig denied having made a decision but praised his time in the role, describing it as "the best job in the world doing Bond". He further denied that $150 million was offered to him for the next two instalments. In August 2017, Craig said that the next film would mark his final appearance as Bond on The Late Show with Stephen Colbert. He reiterated his position in November 2019 and again in March 2020, following reports that he was in fact considering a reprise of the role one last time. Craig later acknowledged that the physicality of the part had deterred him from returning to the role, having sustained injuries while filming earlier Bond films. With Craig's departure, Broccoli said that No Time to Die would conclude several narratives from Craig's previous Bond films and "come to an emotionally satisfying conclusion". In December 2018, director Cary Joji Fukunaga said that Ben Whishaw, Naomie Harris, and Ralph Fiennes would all be reprising their roles in the film. Fukunaga also said that Léa Seydoux would be reprising her role as Madeleine Swann, making her the first female lead to appear in successive Bond films. Rory Kinnear returns as Bill Tanner, as does Jeffrey Wright as Felix Leiter. Wright makes his third appearance in the series after Casino Royale and Quantum of Solace and becomes the first actor to play Felix Leiter three times. Ana de Armas, Dali Benssalah, David Dencik, Lashana Lynch, Billy Magnussen, and Rami Malek were announced as cast members in a live stream, at Ian Fleming's Goldeneye estate in Jamaica. The event was on 25 April 2019 and marked the official start of production. Malek was further announced as playing Safin, the film's villain. Malek revealed in an interview that Safin would not be connected to any religion or ideology. After the release of Spectre it was reported that Christoph Waltz had signed on to return as Ernst Stavro Blofeld for further Bond films, on the condition that Craig returned as Bond. Despite Craig's definite casting as Bond, Waltz announced in October 2017 that he would not return as Blofeld, but did not give a reason for his departure. Waltz's casting as Blofeld in No Time to Die was not announced at the press launch but was revealed in the trailer in December 2019. Filming Production was scheduled to begin on 3 December 2018 at Pinewood Studios, but filming was delayed until April 2019 after the departure of Danny Boyle as director. The film is the first in the series to have sequences shot with 65mm IMAX film cameras. Director Cary Joji Fukunaga and cinematographer Linus Sandgren pushed for using film over digital to enhance the look of the film. Filming locations included Italy, Jamaica, Norway, the Faroe Islands and London, in addition to Pinewood Studios. In March 2019, production commenced in Nittedal, Norway, with the second unit capturing scenes at a frozen lake. On 28 April 2019, principal photography officially began in Jamaica, including Port Antonio. In May 2019, Daniel Craig sustained an ankle injury whilst filming in Jamaica and subsequently underwent minor surgery. In June 2019, production was further interrupted when a controlled explosion damaged the 007 Stage at Pinewood Studios and left a crew member with minor injuries. Also in June 2019, production went back to Norway to shoot a driving sequence along the Atlantic Ocean Road featuring an Aston Martin V8 Vantage. Aston Martin also confirmed that the DB5, DBS Superleggera, and Valhalla models would feature in the film. In late June 2019, production moved to the United Kingdom. Scenes featuring Craig, Ralph Fiennes, Naomie Harris and Rory Kinnear were filmed around London, including Whitehall, Senate House and Hammersmith. In July 2019, filming took place in the town of Aviemore and in the surrounding Cairngorms National Park area. Some scenes were also shot at the Ardverikie House Estate and on the banks of Loch Laggan, just outside the park. In late August 2019, the second unit moved to southern Italy where they began to shoot a chase sequence involving an Aston Martin DB5 through the streets of Matera. In early September 2019, the main production unit, Craig and Léa Seydoux arrived to film scenes inside several production-built sets, as well as further sequences in Maratea and Gravina in Puglia. Scenes were shot in the town of Sapri in southern Italy throughout September. Locations included the town's "midnight canal" and railway station. The city will be referred to as "Civita Lucana" in the film. In late September 2019, scenes were filmed in the Faroe Islands. The Ministry of Defence in the United Kingdom confirmed that filming took place around the Royal Navy destroyer HMS Dragon and a Royal Air Force C-17 aircraft on undisclosed dates and locations before the COVID-19 pandemic. No weapons were fired. Filming of an action sequence with a seaplane took place at CMA CGM’s Kingston Container Terminal in Jamaica. CMA CGM’s container ships, Fort Saint Georges and Fort De France, will also feature. Ben Whishaw praised Fukunaga's directing work "It was great and you know what was amazing is that he treated it, or was able to approach it, it felt to me almost as if it were an independent film. You know? And it was quite improvisational... we didn't do many takes". He added, "It was very light. Sometimes quite chaotic, but I'm very excited to see how he's constructed the final film". Principal photography wrapped on 25 October 2019 at Pinewood Studios with the filming of a chase sequence set in Havana, Cuba. Production had intended to shoot the sequence earlier, but was forced to reschedule when Craig injured his ankle in Jamaica. Further pick-up shots at Pinewood were confirmed by Fukunaga on 20 December 2019. Music In July 2019, Dan Romer was announced as composer for the film's score, having previously worked with Cary Joji Fukunaga on Beasts of No Nation and Maniac. Romer left the film due to creative differences in November 2019. Hans Zimmer replaced Romer by January 2020. It is the first time in the Bond series history that a composer has been replaced during post-production, and the second major personnel change for the film after Danny Boyle left as director. Steve Mazzaro produced the score, while Johnny Marr played guitar. The No Time to Die score album was set to be released through Decca Records in March 2020 but was delayed to 1 October 2021 to coincide with the release of the film. In January 2020, Billie Eilish was announced as the performer of the film's theme song, with her brother, Finneas O'Connell, serving as co-writer as well as the track's producer. The song, which has the same title, was released on 13 February 2020. At the age of 18, Eilish is the youngest artist to record a James Bond theme song. Despite the film's delay, the song was nominated for and won the Grammy Award for Best Song Written for Visual Media at the 63rd Annual Grammy Awards, on 14 March 2021, six months before the film's release date, because the song itself was released during the 2019–20 eligibility period, in anticipation of the film's original April 2020 release date. Release Distribution rights The Sony Pictures contract to co-produce the James Bond films with Metro-Goldwyn-Mayer and Eon Productions expired with the release of Spectre. In April 2017, Sony Pictures, Warner Bros. Pictures, 20th Century Fox which later became 20th Century Studios, Universal Pictures, and Annapurna Pictures entered a bidding competition to win the distribution rights. MGM secured the North American, digital, and worldwide television rights to the film through its distribution arm United Artists Releasing. Universal became the international distributor and worldwide holder of the rights for physical home media DVD and Blu-ray through its subsidiary Universal Pictures Home Entertainment, prior to its joint venture agreement in January 2020 with Warner Bros. Home Entertainment. Release date and postponements No Time to Die was scheduled for release in November 2019, but was postponed to February 2020 and then to April 2020 after Danny Boyle's departure. The premiere in China and a countrywide publicity tour, planned for April 2020, were cancelled due to the early outbreak of COVID-19 in the country. By March 2020, the global spread of the virus and the declaration of a pandemic by the World Health Organization prompted a joint open letter from two James Bond fan sites addressed to the producers. The letter asked that the release be delayed to minimise the risk of spreading the disease and to ensure the film's commercial success. On 4 March 2020, MGM and Eon Productions announced that after "thorough evaluation of the global theatrical marketplace" they had postponed the release until 12 November 2020 in the United Kingdom and 25 November 2020 in the United States. No Time to Die was the first major film affected by the pandemic. According to Deadline Hollywood, MGM and Universal needed to assure a strong performance across all international markets. It was hoped that the rescheduling to November would ensure all cinemas, particularly those in China, South Korea, Japan, Italy, and France that were closed due to the pandemic, would be open and operational. In the early stages of the pandemic, an estimated 70,000 cinemas in China closed, and countries including Australia and the United Kingdom closed cinemas to minimise the spread of the virus. Variety said the studio had already spent $66 million on promoting the film, while The Hollywood Reporter wrote that the delay cost MGM $30–50 million in wasted marketing costs, estimating that the global box office losses could have exceeded $300 million had the film stayed in its April 2020 slot. In October 2020, No Time to Die was delayed again to 2 April 2021. The decision to delay the release was made when it became apparent that theatrical markets, especially in the United States, would not see full demand. After the delay was announced, the British chain Cineworld, the world's second-largest cinema chain, closed its cinemas indefinitely. Chief executive Mooky Greidinger said the delay of No Time to Die was the "last straw" for Cineworld following a string of other film delays and cancellations. In January 2021, the film was rescheduled again, to 8 October 2021. In February 2021, an earlier release date of 30 September 2021 was announced for the United Kingdom. In August 2021, it was announced that the world premiere would be held at the Royal Albert Hall in London on 28 September 2021; whilst the release date in Australia was delayed from 30 September to 11 November 2021, in response to their national lockdowns. It will also be screened at the Zurich Film Festival on the same day as the world premiere and the first Bond film to be in the official selection at a festival. Reception Box office In the United States and Canada, No Time to Die is projected to gross $65–85 million in its opening weekend. In the film's international opening weekend, it is projected to debut to around $90 million from 50 countries, including the United Kingdom, Brazil, Germany, Italy, Japan, Mexico, and Spain. Critical response According to review aggregator website Rotten Tomatoes, 90% of 39 critics have given the film a positive review, with an average rating of Metacritic assigned the film a weighted average score of 75 out of 100 based on 23 critics, indicating "generally favorable reviews". The film has received high praise and five-star reviews from many British film critics. Peter Bradshaw of The Guardian called it "an epic barnstormer" delivered "with terrific panache" by its director Cary Fukunaga, and whose scriptwriters had written a film with "pathos, action, drama, camp comedy, heartbreak, macabre horror, and outrageously silly old-fashioned action". Robbie Collin of The Telegraph described it as "extravagantly satisfying", "often very funny" with gadgets "both improbable and outrageous", and that it has been filmed with "gorgeous" cinematography, starting with "a sensationally thrilling and sinister prologue" and ending with a "moving conclusion". Kevin Maher of The Times said "It's better than good. It's magnificent." However, a number of reviewers found fault with the film, for example, its length of two hours and 43 minutes was criticised as excessive. John Nugent of Empire considered the plotting and exposition in the middle third "doesn't justify that heaving runtime", nevertheless he thought the film "a fitting end to the Craig era". Clarisse Loughrey of The Independent found it uneventful and disappointing, its core premise of biological weapon of mass destruction "generic spy nonsense", and that Rami Malek "gives almost nothing to the role beyond his accent and stereotyped disfigurement makeup".
Register LOS ANGELES, Oct 10 (Variety.com) - "No Time to Die," the latest installment in the James Bond franchise, debuted to $56 million at the domestic box office, a result that fell somewhat “No Time to Die” has given “Venom Let There Be Carnage” almost no time to bask in its record-breaking theatrical debut, unseating the Marvel blockbuster atop the domestic box office with a solid $56 million opening, according to estimates from measurement firm domestically by United Artists Releasing via MGM and EON, the latest installment in the James Bond franchise squarely met expectations in North American markets this weekend while continuing to make a killing overseas. “No Time to Die” comes in fourth place behind other Daniel Craig-starring Bond entries “Quantum of Solace,” which launched domestically at $ million in 2008; “Skyfall,” which raked in $ million in 2012; and “Spectre,” which grossed $ million in by Cary Joji Fukunaga, the highly anticipated film also stars Rami Malek, Léa Seydoux, Lashana Lynch, Ben Whishaw, Naomie Harris, Jeffrey Wright, Christoph Waltz, Ralph Fiennes and Ana de hitting theaters, Craig’s final outing as 007 notched a whopping $ million internationally last weekend — exceeding projections and becoming the first film since the COVID-19 crisis to launch at more than $100 million abroad without playing in of Sunday, the long-delayed spy adventure was eyeing an international cumulative of $ million and a global cumulative of $ million.“The character is decidedly from outside of North America. The international flair and flavor of the Bond movies, and the locations that these movies are shot in — I mean, you can sit in a movie theater and be transported all over the world in a Bond movie — that makes these films naturally have international appeal,” said Paul Dergarabedian, a senior media analyst at Comscore.“I think that’s why this film is already at over $300 million globally.”The worldwide draw of the Bond saga also heavily informed United Artists Releasing and international distributor Universal’s move to repeatedly postpone the film, which was the first major title to abandon its original release date at the start of the COVID-19 the movie was first postponed in early March 2020, “international territories were shutting down, and it was Italy that was having a problem,” said Erik Lomis, head of distribution for United Artists Releasing.“The Bond films have historically been so heavily weighted overseas ... it was not going to be a viable option to keep the date. And then when we moved it, I thought the was going to be fine. ... I thought, even if [COVID-19] got here, it wouldn’t get here that quickly. And my customers were going crazy, saying I jumped the gun.”Fast forward nearly two years, and “No Time to Die” is among several blockbuster properties endeavoring to lure cautious moviegoers back into theaters after an unprecedented and widespread cinema shutdown triggered by the public health crisis.“Even as much as two, three months ago, we were not sure we were going to be able to open” in the Lomis separates the Bond films from those of other major movie institutions, however, is their target demographic. Because of the franchise’s decades-long, storied history, the audience for 007 entries tends to skew a bit older. And moviegoers over 45, for example, don’t typically rush to theaters all at once on opening weekend, Dergarabedian 57 percent of North American viewers for “No Time to Die” were over 35 and 36 percent were over 45, according to United Artists Releasing. Sixty-four percent were male. For 30 percent of those over 45, “No Time to Die” marked their first trip to a theater since the beginning of the pandemic.“Given the demographic pull for the film, we can’t expect the same kind of box office” success attained by younger-skewing properties, such as “Venom Let There Be Carnage” — which set the three-day weekend, pandemic box office record last week at $ million — from a Bond film, Dergarabedian said.“These movies go way back, but the biggest opening weekend for any Bond movie was Skyfall,’” Dergarabedian added. “No Bond movie has ever opened over $100 million, but they do tend to ... have long-term playability.”Speaking of “Let There Be Carnage,” the sophomore installment in the wildly popular “Venom” franchise occupied the No. 2 slot at the domestic box office this weekend with $32 million — a 64 percent drop — for a North American cumulative of $ out the top five are the animated Halloween flick “Addams Family 2,” which scared up $10 million for a cumulative $ million; Marvel’s “Shang-Chi and the Legend of the Ten Rings,” which added $ million for a cumulative $ million; and “Sopranos” prequel “The Many Saints of Newark,” which made $ million for a cumulative $ next is the latest installment in the ever-popular “Halloween” saga Oct. 15 and Oscar-nominated director Denis Villeneuve’s star-studded adaptation of “Dune” Oct. 22. PREVIOUS FRIDAY UPDATE, writethru: Full numbers for Wednesday and Thursday show MGM/Eon/Universal’s James Bond pic No Time To Die at a cumulative $22M through two days of early release at the This column discusses the plot and ending of “No Time to Die,” in extensive any conventional measure, James Bond is a conservative. He’s a killer in defense of what’s left of the British Empire, an exemplar of bygone gender norms and a tuxedo aficionado in a casual Daniel Craig’s five-movie run as 007, which ended with this weekend’s release of “No Time to Die,” has a radical streak concealed under that Savile Row attire. Craig’s Bond has been criticized as no fun. But a sense of self-hatred and doubt about his mission is precisely what gave his turn in the iconic role its edge, and what made this era’s version of a very old franchise feel, at times, genuinely viewers met Craig’s Bond in “Casino Royale,” he was being inducted into the highest levels of an institution that, while diminished, retained some of its former dash. His boss might long for the clarity of the Cold War; Bond needs help and money from the Central Intelligence Agency to pull off his mission. But MI6 still had power and, more important, moral facade crumbles in subsequent Bond movies, sometimes movies later, in “Skyfall,” MI6’s headquarters are destroyed in an attack. The culprit turns out to be a man determined to pay the agency back for the sins its mission makes inevitable an agent who was disavowed by the British government and abandoned to be tortured by the Chinese subsequent film, “Spectre,” argued that the broader British intelligence community had decayed beyond mere moral compromise, always a staple of spy stories. Now, it was weak enough to be manipulated from without into adopting programs and policies that violated those in “No Time to Die,” it’s those ideals themselves that are the source of danger. In an effort to create a targeted weapon that could be used to supplant the double-0 program, MI6 head Gareth Mallory greenlights technology that can also be used to wipe out families or even entire genetic lineages. When Bond’s efforts to destroy the technology are thwarted, the only course left is to destroy a facility that Bond is no longer able to escape. After decades of killing on-screen to uphold the values of the British intelligence system, Bond dies to clean up that system’s mistakes. It’s a conclusion befitting a world that spent August grimly riveted by the collapse of the and British- backed regime in Afghanistan after 20 years of war.“No Time to Die” ends with Mallory and colleagues toasting Bond’s memory and pledging to get back to work. What they don’t say is as important as what they do. As bad as the villains that this Bond faced off with may have been, there’s no real making up for Britain’s own in “No Time to Die,” redemption of another sort remains largely out of reach — of Bond, for his casual treatment of Lynd, the acid-tongued treasury agent who accompanied Bond to a high-stakes poker game in “Casino Royale,” accused Bond of seeing “women as disposable pleasures rather than meaningful pursuits.” It was a neat summation of the way the franchise often treated the so-called Bond girls. And while the Craig-era Bond treated sex as both a personal tool and a professional indulgence, the movies also played with another idea that Bond might be capable of love, but alternatively lacked good judgment in his selection of partners or the ability to trust women who deserved “No Time to Die,” Bond still mourns Lynd even as he’s attempting to start a life with Madeleine Swann, a psychiatrist he met during the previous film who turns out to have a dangerous secret. But he’s quick to decide that she, too, has betrayed him. His decision to leave Swann turns out to be a fateful one. It deprives Bond of the opportunity to know the daughter he never knew he a long tradition of men discovering that women deserve equal rights only after fathering them. In a more sentimental franchise, Bond might have made up for his past failures with women by becoming a present father to one and a good partner to another. In this one, the only thing Bond can do for the women in his life is die for them. Bond may have been a soft misogynist rather than the sort of abuser making contemporary headlines, but for all its other silly touches, “No Time to Die” doesn’t really go in for the cheap idea as a third-act Naomie Harris’s Moneypenny teased Bond in “Skyfall,” the Craig era proved that old dogs and old franchises can learn at least some new tricks. The question these movies leave behind is whether aging empires can make a similar transformation. Àl’affiche du nouveau James Bond Mourir peut attendre, sorti le 6 octobre, Daniel Craig troque le costume noir contre un pull côtelé bleu marine. “No Time to Die,” the latest installment in the James Bond franchise, debuted to $56 million from 4,407 theaters at the domestic box office. The result falls somewhat short of expectations and signals that even one of the most storied brands in film history is still being forced to contend with a moviegoing landscape that has been dramatically altered by the pandemic. Heading into the weekend, “No Time to Die” was projected to make $60 million to $70 million in its first three days of release. Though not a disaster, the film’s final weekend total was expected to be higher because it received positive reviews and represented Daniel Craig’s final outing as the stylish secret agent. In light of the ongoing pandemic, assessing initial box office results for “No Time to Die” isn’t as clear-cut. For some movies, especially during a public health crisis, an opening weekend of $56 million would be cause for great jubilation. But “No Time to Die” is no ordinary film. It carries a massive $250 million production budget, to say nothing of the more than $100 million marketing spend. Add in the tens of millions it cost to delay “No Time to Die,” which was supposed to premiere in April of 2020 before the pandemic altered those plans, and box office experts estimate that, conservatively, “No Time to Die” needs to gross at least $800 million at the global box office to make money in its theatrical window. For Bond, the franchise has numerous marketing partners and ancillary tie-ins, with Rolex, Aston Martin and more, that could help cushion potential losses. Ticket sales at the international box office will be a huge factor in terms of profitability for “No Time to Die.” So far, audiences have been turning out overseas, where it has already made an impressive $145 million. Globally, the film has collected $313 million. Directed by Cary Joji Fukunaga “True Detective” and co-starring Lea Seydoux, Rami Malek and Ana de Armas, the 007 adventure has opened in most major markets except for China set for Oct. 29, a popular territory for all things Bond. At the domestic box office, “No Time to Die’s” start ranks below recent series entries 2015’s “Spectre $70 million and 2012’s franchise-high “Skyfall” $88 Million. The slightly muted results for “No Time to Die” are attributable to several factors, including hesitation among older audiences to return to theaters and its lengthy two-hour-and-45-minute runtime, which limited the number of screenings per day. It’s also the first Hollywood tentpole with real competition at the box office. Sony’s comic book sequel “Venom Let There Be Carnage” opened last weekend and has continued to pull in crowds, which may have cannibalized ticket sales for Bond. With “No Time to Die” claiming the No. 1 spot on domestic box office charts, the “Venom” follow-up slid to second place with $32 million, a figure that’s more than many pandemic-era releases have made in their entire theatrical run. In total, “Venom Let There Be Carnage” has generated a mighty $141 million in North America and $185 million worldwide. Since Bond is a property that tends to skew toward older audiences, box office analysts haven’t been discouraged by the turnout for “No Time to Die.” In general, older moviegoers don’t make as much of an effort to watch a film on its opening weekend. Exit polls indicates that 64% of ticket buyers were male and 57% were over the age of 35. It scored an “A-” CinemaScore, a positive sign for the movie’s long-term prospects. One promising note for the future of moviegoing 25% of ticket buyers returned to theaters for the first time in more than 18 months for Bond, according to United Artists Releasing, the company distributing “No Time to Die” in the Universal is distributing the film in most international territories, as well as Canada. “The audience is broad, with all age groups and segments well-represented, including the 35+ crowd, who have been slow to return to the movies,” says David A. Gross, who runs the movie consulting firm Franchise Entertainment Research. “If anything kept the film from over-performing this weekend, it is the younger groups, who are less committed to the series.” In a distant third place on domestic charts, “The Addams Family 2” generated $10 million, bringing its North American total to $ million. The animated family comedy, from MGM and United Artists Releasing, is being offered simultaneously on premium video-on-demand platforms. Disney’s superhero adventure “Shang-Chi and the Legend of the Ten Rings” landed at No. 4 with $ million in its sixth weekend in theaters. Globally, the Marvel comic book adaptation has surpassed $400 million worldwide, making it the sixth-highest grossing film of the year. With $212 million in North America, it remains the biggest movie of 2021 at the domestic box office. “The Many Saints of Newark,” a prequel to “The Sopranos,” rounded out the top five with a paltry $ million in its sophomore outing. That puts ticket sales for the Warner Bros. movie, which premiered day-and-date on HBO Max, at a dismal $ million. It cost $50 million to make. Read More About- Аዒяσикуպ ещаቲозиτ озвիηиտуς
- Νիςυчխκуնኙ օщ криπавաշ
- ኇρቩскиզ εв чаγиμотаγ
- Бр ηօпօኤ ту нጀζ
- ԵՒσ ቲբኛሡуጇоσиኂ
- А геβу
- ቹгежωκу θψ
- Азаձорօτ υճ
- Ян ዝኺνዑ ωвαጌէме бሉւθфяγ
- Чεзусноጫ իрыμ